In our many posts about the vierges romanes in France and Spain we have discussed their unique expressions. There is often a distant look, as if Mary is looking into the future, into the sacrifice that will be demanded of both herself and her Son. While there are exceptions like the triumphant Madonna in Saint-Aventin, most have serious expressions.
Today, however, while editing the photographs of the lovely Église Sainte Marie in Corneilla de Conflent I was shocked to find a smiling Madonna and Child.
Given the place of honor in the mandorla of the west portal tympanum, Mary is literally smiling. Jesus, however, is grinning! The effect is completely disconcerting. The sculptor must have had some unique vision to create this ensemble, but for the life of me I don’t know what it was. Perhaps after a lifetime of carving religious figures of the most solemn and serious character, this man or woman just felt that maybe there was room for some levity in religion, some expression of light-heartedness. Here in the remote Pyrénées, perhaps an expression of pleasure was warranted.
Whatever the reasoning, I found the image profoundly disturbing. As I tried to smile back, my lips were drawn back over my teeth in a grimace. I held the expression and went to the bathroom to see it in the mirror – it was grotesque! Coming back to the image I thought, even Jesus’ little bare feet seem to be smiling. The angels on either side also seem to be in on the joke.
If there was ever a piece of sculpture that deserved to be featured as an amuse-bouche, it is this tympanum in Corneilla de Conflent.
This is part of a series of posts featuring an amuse-bouche, a bite-sized appetizer to whet the appetite of diners. Each of these will explore a single interesting feature of medieval architecture or sculpture. To see other amuse-bouches, follow this link.