Happy Easter


We are fortunate in having found yet another medieval sculpture of the patron of secular Easter celebrations, Saint Saliento Lepus.

Saint Saliendo Lepus

Saint Saliendo Lepus

According to our research, Saint Saliendo Lepus was a 3rd century noble Roman rabbit who incurred the wrath of the Emperor Diocletian by hiding colored eggs in the forum. Enraged, Diocletian had him turned over to Plautian, prefect of the praetorium, who tortured him in an effort to force him to stop this practice, but when Saliento persisted, he was beheaded and served in a stew with lentils and onions. Though the legend is an ancient one, it is no more than that.

Reichenau-Oberzell, Abbey Church of Sankt Georg – A Guest Post by Jong-Soung Kimm


In 896, Hatto III, archbishop of Mainz and the abbot of Reichenau monastery traveled to Rome during the time of Pope Formosus, and came upon relics of Saint George and brought them to his monastery in Lake Constance (Bodensee), and the monastery in Oberzell became the resting place of important relics of Saint George including a piece of his skull. It is said that the 7th century early Christian church of San Giorgio Velabro in Rome played a part in Hatto’s acquisition of the relic. In the first centuries of the Middle Ages, veneration of St. George gradually spread from Italy to the Frankish land across the Alps.

The abbey church of Sankt Georg is situated on a gentle hill at the eastern tip of the Reichenau island in Lake Constance.

Exterior, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

It is a sample of late Carolingian architecture built at the end of the 9th century, and expanded in later times. It is laid out as a basilica plan with a nave, relatively wide for the time of its construction, two aisles with low ceiling, and a raised eastern choir over the crypt.

Plan, Sankt Georg (Reichenau-Oberzell)

It is reasonable to assume that the wide nave was called for because of its function as a shrine for Saint George. The nave is covered with painted high wooden ceiling. The master builder, heir as he was to the Carolingian builders with predilection for the cross form, vertically stacked three square elements, which are only slightly narrower than the nave: the crypt for enshrining the relic, a “crossing” and a square tower over it.

Nave, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

As there is no transept at Sankt Georg; reference of a “crossing” requires an elaboration. At Sankt Georg, the crossing is where the choir/chancel is located, and it is defined by tall walls on all four sides, with high, but narrow round arch openings on east and west, and low openings toward north and south, as there are no transept wings. It is what Kubach termed as “tied-off (abgeschnürte)” crossing, which we see in this architecture. The upper portion of the crossing walls extends above the nave roof to form the tower. It is easy to deduce that over the course of development from the late Carolingian to Ottonian architecture, the walls had gradually become piers at four corners of the crossing, as at Saint Michael in Hildesheim built about a century later. Today the crossing is covered by cross rib vault at about the level of the flat nave ceiling.

Crossing, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

A square eastern apse is joined to the crossing. A half round western apse was constructed at the beginning of the 11th century, and the main entrance is located at the western apse.

Western apse, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

Western apse, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

The columns defining the nave and aisles have pronounced entasis, and they are surmounted by cushion capitals of pure geometry with painted ornaments.

Nave columns, Sankt Georg (Reichenau-Oberzell) Photo by Jong-Soung Kimm

Over the nave arcades running the length of the nave space, smooth and tall walls are covered with frescoes with small clerestory windows high near the ceiling. Both north and south walls of the nave serve as the surface for very highly regarded narrative cycle of Ottonian fresco paintings depicting Jesus’s miracles. They were restored in 1880, and form an important part of the UNESCO world cultural heritage designation of the entire island of Reichenau.

Location: 47.689241 9.082024

For more information about our guest writer, Jong-Soung Kimm, please see this link.

And then we head south (Dennis Aubrey)


In the ongoing chronicle of our upcoming trip, I started in the middle with the section on the Pyrénées, then went did a general post on our research, before finally starting the trip in Chartres.

Today I’m going to write about what comes after Chartres and up to the Pyrénées. I guess this sequence is kind of like the movie Memento in its disjointed structure. I hope this doesn’t create an “existential dread” like the movie, but I’ll stay on course after this.

We leave Chartres and head to Poitiers, or more accurately, Vivonne, just south of Poitiers. Vivonne is the home of our life-long friends, the Gayets and their home at Danlot. I have known Thérèse and Jean Gayet since the age of 12 and we have stayed in their home many times over the years. They even made a visit to my parents on Cape Cod in the 90’s. Jean passed away a few years ago, but Thérèse flourishes, a force of nature. She grew up in Poitiers and was the first to take me to Sainte Radegonde, one of my favorite churches.

Ambulatory chapel, Église Sainte-Radegonde, Poitiers (Vienne)  Photo by PJ McKey

Ambulatory chapel, Église Sainte-Radegonde, Poitiers (Vienne) Photo by PJ McKey

We visit with her at the house, a lieu-dit called Danlot. It has the distinction of an iron bridge crossing the Clain River to their house, a bridge built by Gustave Eiffel. Even as a boy I was fascinated by the place. The Clain River was the same that was followed by the Saracens in 732 on their way to the fateful meeting with Charles Martel. On the Gayet’s property was a hill with a field atop called the Champs d’Alaric, the fields of Alaric II, the chieftain of the Visigoths who was defeated and slain by the Frankish king Clovis at nearby Vouillé. Local legend had it that after his death, Alaric was buried under this mound with his enormous treasure. And of course at this time my family lived in Chauvigny, so redolent of history. Is it any wonder that I grew up immersed in a cloud of history and legend?

Danlot, Vivonne (Vienne)  Photo by Dennis Aubrey

Danlot, Vivonne (Vienne) Photo by Dennis Aubrey

We are going to spend three days in the area photographing a number of churches in the area. Our home base will be nearby Montmorillon, where we will have an apartment in the center of town overlooking the Église Notre Dame de Montmorillon.

From Montmorillon, we head to my omphalos, the center of my universe, Lacave and the church at Souillac. We stay in the hotel Pont de l’Ouysse, my favorite and one that I have been going to almost every year since 1986. At the Pont, we will have the great pleasure of a sojourn with our great friend Diane Quaid, an actress and hiker who will be in the area hiking the limestone causses for a week. We will have the opportunity to share the extraordinary cuisine of the Chambons père et fils during the visit. PJ will be hiking with Diane during this time, so I will be photographing alone. The following capital expresses my sentiments exactly.

Eglise Saint Pierre des Tours, Aulnay-de-Saintonge  (Charente-Maritime)  Photo by Dennis Aubrey

Eglise Saint Pierre des Tours, Aulnay-de-Saintonge (Charente-Maritime) Photo by Dennis Aubrey

But I will get a chance to photograph one of my favorite churches, Sainte-Marie de Souillac and a number of smaller churches to the east and south that we have not been able to before.

View from east end of choir,  Église Sainte Marie, Souillac (Lot) Photo by PJ McKey

View from east end of choir, Église Sainte Marie, Souillac (Lot) Photo by PJ McKey

After three days at the Pont, we head south towards Agen. We have rented a nice house for the five days we explore a cluster of churches between the cathedral town of Agen and Villeneuve-sur-Lot to the north. If time permits, we may even range a bit to the east to return to the great abbey church in Moissac and its famous cloister and tympanum.

Abbatiale Saint Pierre, Moissac (Tarn-et-Garonne)  Photo by PJ McKey

Abbatiale Saint Pierre, Moissac (Tarn-et-Garonne) Photo by PJ McKey

After Agen, we head toward the Pyrénées and a trip to the region with some of the oldest Romanesque churches in existence. From there, Provence!

And we begin in Chartres (Dennis Aubrey)


Regular readers of Via Lucis know that we are planning our Spring/Summer trip to France and that we have posted about the upcoming section of the Pyrénées. That is the middle of the trip and today’s post is about the beginning.

2015_11_14_0a_cdg-646c0In April we fly into Paris via Reykjavík, Iceland. We do this for two reasons. First we do it because PJ hates to fly and we can break up the transatlantic section of the flight. Second, and most important, we go through the European Union customs in Iceland instead of Paris, and that is worth a great deal right there. Customs is a breeze in Reykjavík and when we arrive in Paris, we pass quickly through in the EU line. Anyone who has been caught in customs at Charles de Gaulle airport (voted in one poll the “world’s most hated airport”) when two or three international flights arrive at the same time knows exactly what this means.

We arrive at CDG about noon and will be on our way in our new car by 1:30 or so. We will head directly southwest to Chartres, where we will spend the next couple of days photographing the magnificent Cathédrale Notre Dame de Chartres. As you probably know, the cathedral is undergoing an extensive and somewhat contentious restoration. Some critics decry the loss of the “patina” of the church and its associated atmosphere. We believe that the restoration is magnificent and that the patina will be restored over time while the deterioration is stopped.

Apse from the tribunes, Cathédrale Notre Dame de Chartres, Chartres (Eure-et-Loir)  Photo by PJ McKey

Apse from the tribunes, Cathédrale Notre Dame de Chartres, Chartres (Eure-et-Loir) Photo by PJ McKey

The last time we were in Chartres, the apse had just been completed and the teams were working on the side aisles. The nave was untouched. We understand now that both the side aisles and the nave have been completed, which means the interior is almost complete. Some sets of windows still are being restored, but it will be our first opportunity to see and photograph the restoration of Bay 140, financed by our great colleagues at the American Friends of Chartres, who previously financed the restoration of the superb evangelist lancets in the south transept.

The south transept lancets, Cathédrale Notre Dame de Chartres, Chartres (Eure-et-Loire) Photo by Dennis Aubrey

The south transept lancets, Cathédrale Notre Dame de Chartres, Chartres (Eure-et-Loire) Photo by Dennis Aubrey

Of course when we go to Chartres we have to visit with the indomitable Servane de Layre Mathéus, head of Chartres, Sanctuaire du Monde, a private French organization, which for 14 years has worked in close cooperation with the Historic Monuments Commission and supports the public efforts of the French government to restore this glorious cathedral. We also get to spend time with Gilles Fresson, historien et intendant of the cathedral. He is a fountain of knowledge about Notre Dame de Chartres and guides us through the walls and in the hidden corners of the structure.

South side aisle, Cathédrale Notre Dame de Chartres (Eure)  Photo by Dennis Aubrey

South side aisle, Cathédrale Notre Dame de Chartres (Eure) Photo by Dennis Aubrey

Sirui P-204S monopod

Sirui P-204S monopod

In preparation for the work at Chartres, we have made some changes in equipment. PJ now has a new camera, the latest version of the estimable Canon 5D that she has used for a decade. It gives her much greater resolution and the “Live View” preview.

Our work demands that we use tripods because of the long exposures that we use in the churches. This works perfectly for most of the time, but there are times when the tripod is too bulky to us. For that reason, we also got PJ a monopod, the Sirui P-204S, to carry when she enters the upper warrens of the cathedral. No longer does she have to lug her tripod in those close and narrow confines. With this fine piece of equipment, she has a versatile monopod/tripod that folds down to just two feet and weighs less than three pounds.

It is hard to believe we are so short a time away from this trip. In two months we will be photographing Chartres again starting our France adventure for 2017. Can’t wait to show you the results of the photography and the restoration.

Unrestored Cathédrale Notre-Dame de Chartres (Eure-et-Loir)  Photo by PJ McKey

Unrestored Cathédrale Notre-Dame de Chartres (Eure-et-Loir) Photo by PJ McKey

Romanesque Vegetables – Amuse Bouche #37 (Dennis Aubrey)


Somethings you can see and then forget. Others you see and can’t forget. And a few, once seen, can never be unseen.

Today’s example of this comes from our Via Lucis contributor Albert Pinto. He is usually featured as a guest writer or translator, and has even served as our guide in Aix-en-Provence, but this week he outdid himself. He sent us this photograph and asked us to compare it with a certain celebrated masterpiece of Romanesque sculpture.

Celeriac root, photo by Albert Pinto

Celeriac root, photo by Albert Pinto

Stare at that photo for a moment and move on to the next photo, of the trumeau at the Église Abbatiale Sainte-Marie in Souillac with its writhing, intertwined beasts.

Trumeau and tympanum, Église Sainte Marie, Souillac  (Lot)  Photo by Dennis Aubrey

Trumeau and tympanum, Église Sainte Marie, Souillac (Lot) Photo by Dennis Aubrey

Some people see the face of Jesus in a cheese pizza or a piece of naan bread, but this really tops them all. And now that I have seen this comparison, and imagined Albert and his wife Monique in their kitchen in Aix-en-Provence, looking at this root and exclaiming together “Wow! Doesn’t this look like the trumeau at Souillac,” it is impossible to look at this picture of the studious Albert in the same way ever again.

Albert Pinto

Albert Pinto

What a delightful contribution to our week.

Researching our 2017 trip (Dennis Aubrey)


PJ and I are now a mere 10 weeks from leaving for Europe and the excitement mounts as the preparations intensify. We have been diligently researching our target areas for the Romanesque gems that delight us. There are many places on the internet, both amateur and official Patrimony sites, where we glean the information. How do we collate it all? Since the very beginning of the Via Lucis project in 2007 we have used Google Earth as the repository of information. Except for a few glitches, it has worked beautifully – as you can see from this map, we are able to track both the churches that we intend to photograph (with the orange icons) and the ones that we have photographed (red icons).

Google Earth database of churches

Google Earth database of churches

Each individual marker contains information on the churches that is important for our research – descriptions from the sponsoring Patrimony organization (in France, this would be the Patrimoine de France), relevant descriptions from expert sources (like the famed Éditions Zodiaque), links to other sites, and photographs. We often include address information (even though the icons are precisely placed over the chancel crossing of every church, if possible) and hours and rules of visitation.

Google Earth entry detail

Google Earth entry detail

We have also been developing the same database for Romanesque churches in England, Spain, Germany, and Italy. Those are, of course, much less exhaustive than the French database. Our French Gothic database is also under early stages of construction. If these seem like exhaustive databases, consider the real numbers. Our French database consists of about 1080 Romanesque churches, which represents less than 25% of the total number found in the country.

Based on these maps, we plan our itinerary for each trip. There are a couple of provisos – we must always stop in Lacave in the Lot to stay (and eat) at the Pont de l’Ouysse. As I have mentioned before, this is my omphalos, the center of my spiritual universe and I have gone there every trip since 1986. The Pont de l’Ouysse is always our “splurge” place but it is worth every penny. Second, we must stay at the Crispol in Vézelay. Vézelay is critical, of course, because of the presence of the magnificent Basilique Sainte Madeleine on top of the hill. But we must also go because across the valley is the Crispol hotel, run by the equally magnificent Paule Schori. She is a force of nature and has become a dear friend. We are so delighted to be spending three days with her again this year.

Hotel Crispol

Hotel Crispol

Finally, we are making one small two-day detour that has nothing to do with Romanesque churches at all. We are going to drive from Sisteron in the Provence through the old Alpine roads to the tiny Italian town of Chiomonte. Why would we do this? Part of it is to drive the old roads that I remember from my childhood. Chiomonte is known for the seven old fountains that adorned the chemin royal of the country. But our reason to visit is the Ristorante e Affittacamere Al Cantoun. The restaurant is a small building in an old private square. The young chef is Paolo Aiello and his Piemontese cooking is spectacular. We stayed there on our way into Italy in 2015 and again on our way back to France – we can get as excited about finding a great new restaurant as an old Romanesque church!

Ristorante Al Cantoun, Chiomonte

Ristorante Al Cantoun, Chiomonte

So the trip is planned, the lodging all booked, car reserved, airplane tickets purchased. We land in Paris on April 19 and go directly to Chartres, where we will spend two days photographing the Cathédrale Notre Dame de Chartres. More on that in the next post!

A trip to the Mountains in May (Dennis Aubrey)


PJ and I are planning another mammoth photography session in France and Spain this year. We’ll be gone about two months and will photograph most of the southern periphery of France, through the Pyrénées and up through Provence. We will, of course, visit our favorite spots in Chartres, Poitiers, Vézelay and the Souillac, but this is primarily new territory for us. The new stuff begins south of the Dordogne, where we will spend a week between Villeneuve-sur-Lot and Agen. From there, we head to the mountainous border between France and Spain, the Pyrénées, where we will spend a full month.

We begin our trip in virgin Pyrénées territory for us, the extreme southwest of France. In the area around Vic-en-Bigorre ①  we are planning to photograph eight important churches, most of which are part of the Compostella pilgrimage route. We are particularly excited to photograph the mosaics at the Cathédrale Notre-Dame-de-l’Assomption de Lescar.

The Pyrénées section of the trip

The Pyrénées section of the trip

From Vic-en-Bigorre, we head southwest towards the main route into Spain at Saint Jean-Pied-de-Port, but will be using Oloron-Sainte-Marie② as our headquarters. This will be the base as we explore the last French churches on the Compostella route before the Roncesvalles pass.

From Oloron, we make a short drive to Luz-Saint-Sauveur③. The purpose here is to shoot the Église Saint-Savin in Saint Savin and see the Vierge noire des croisades. She is no longer a Black Madonna, but is a compelling vierge romane. In Luz itself is a Templars’ church, Eglise des Templiers de Luz with its own vierge romane.

Next is Bagnères-de-Luchon④ in the Haute-Garonne which we will use to explore a line of six mountain churches in Bonnemazon, Cazaux Frechet, Mont, Saint Aventin, Cazaril-Laspènes and the Spanish town of Bossòst.

Église Saint Julien et Sainte Basilisse, Jujols (Pyrénées-Orientales)  Photo by PJ McKey

Église Saint Julien et Sainte Basilisse, Jujols (Pyrénées-Orientales) Photo by PJ McKey

After Bagnères-de-Luchon, we leave France briefly and drive south to the Val d’Aran⑤ in Spain. This is one of two narrow valleys in the Pyrénées region of Spain with a string of beautiful Romanesque churches. The other, the Vall de Boí, is only about fifteen miles south of here but we don’t have the time to shoot there and we are saving these spectacular churches for a later trip. In the Val d’Aran we shoot nine churches, if possible, arrayed on an approximately twenty mile east-west line. Nine churches is a lot to photograph in three days, but we have been offered the logistics assistance of our very kind AirBnB host in the town of Escunhau.

We then return to France and drive northeast to Saint-Lizier⑥, a town with a population of 1500 souls but boasts two cathedrals that testify past prominence.

Exterior of Eglise à Saint-Génis-des-Fontaines, Saint Genis-des-Fontaines (Pyrénées-Orientales)

Exterior of Eglise à Saint-Génis-des-Fontaines, Saint Genis-des-Fontaines (Pyrénées-Orientales)

From Saint-Lizier we continue southeast to the Ariège⑦. Centered on the town of Luzenac is a cluster of four beautiful Romanesque churches.

After Saint-Lizier we are back in familiar territory, the Pyrénées-Orientales, Catalan country. We stop first in Angoustrine-Villeneuve-des-Escaldes⑧. This is at the west end of the long valley that extends from the Mediterranean coast near Perpignan to the heart of the mountains.

Our next stop is a favorite, Prades⑨, home to the music festival founded by Pablo Casals. The Romanesque heritage in this part of the world is astounding, but one of the highlights is that we will return to the Abbaye de Saint-Martin du Canigou and visit with our friend, Sister Anne-de-Jésus.

PJ and Sister Anne-de-Jésus, Abbaye de Saint-Martin du Canigou, Casteil (Pyrénées-Orientales)  Photo by Dennis Aubrey

PJ and Sister Anne-de-Jésus, Abbaye de Saint-Martin du Canigou, Casteil (Pyrénées-Orientales) Photo by Dennis Aubrey

From Prades we return to Spain for a week. We’ll spend a couple of days relaxing in Cadaqués⑩ on the Mediterranean.

Cadaqués, photo by Covetotop

Cadaqués, photo by Covetotop

We then return to work and head west to the small town of Besalú①①, home to no less than five churches. There are many eminent churches in the region but we are intrigued with La Vall de Bianya, a narrow east-west valley filled with Romanesque churches.

We are particularly excited that we will get to meet our WordPress friend Covetotop, whose blog is the best chronicle of the Catalan countryside that we have found. At his suggestion we will dine at the Restaurant Can Roca in Esponellá, just outside of Besalú.

Restaurant Can Roca, Esponellà. Photo by Covetotop

Restaurant Can Roca, Esponellà. Photo by Covetotop

This will end our month in the Pyrénées and we proceed to the Provence for a week. There we will continue our strict diet of Romanesque churches, fine food, and wonderful local wines.